CORRECTION: A previous version of this article contained language that was offensive. Also like King Crimson, the lyrics were mostly garbage, but goddamn did that rhythm section pummel the shit out of its instruments. _comscore.push({ c1: "2", c2: "6772046" }); Album Rating: 3.5This album certainly isn't a classic, but definitely is overly criticized for not being overly experimental. gads.src = (useSSL ? apstag.init({ Tool's longer tracks have generally been their best work in my opinion, but this track takes a really (really) long time to build up to a short-lived crescendo which all too quickly breaks down into another limping finish ala its predecessor. But rather than delving further into experimentation or exploring their strengths, Tool have made an...A Perfect Circle record. It was such a good mood setter. The 17-minute epic "Wings for Marie/10,000 Days" is an ode to his mother, who passed away during the band's hiatus after dealing with paralysis from a stroke for 27 years. }); At 28, I'd feel funny mocking 15-year-olds still finding their place in the world. Tool – 10,000 Days Review. Well, technically speaking, it’s … ","-_"],e=0;5>e;e++){var f=c.concat(d[e].split(""));K[e]=f;for(var k=0;k>2;n=(n& })(); padding: 10px; #slideshow ul li.current { */ 10,000 Days is a progressive metal music album recording by TOOL released in 2006 on CD, LP/Vinyl and/or cassette. if ( term in cache ) { It has been removed. if($('#leftColumn').height()+250 > $('#rightColumn').height()) display:none; googletag.defineSlot('/171684353/Sputnik_728x90', [728, 90], 'div-gpt-ad-1452878747555-1').addService(googletag.pubads()); Most critics praised the album as another example of Tool's musicianship. Album Rating: 4.0very nice review, enjoyed every moment of it. Rather than delving further into experimentation or exploring their strengths, the world's most well-loved prog-metal band has made an...A Perfect Circle record. lastXhr; Album Rating: 4.5There are two types of Tool Fans; those who believe that Tool has gotten progressivly worse, and those who think they have gotten better. The title track features sitar and tabla. Definitely a step down from Aenima, though. It seems like with each Tool cd, the songwriting progresses, but the amount of actual songs decreases, which sucks. Right in Two is my favourite song on the album I think. padding:20px; {done:!1,value:a[b++]}:{done:!0}}},l=this||self,m=/^[\w+/_-]+[=]{0,2}$/,p=null,q=function(){},r=function(a){var b=typeof a;if("object"==b)if(a){if(a instanceof Array)return"array";if(a instanceof Object)return b;var c=Object.prototype.toString.call(a);if("[object Window]"==c)return"object";if("[object Array]"==c||"number"==typeof a.length&&"undefined"!=typeof a.splice&&"undefined"!=typeof a.propertyIsEnumerable&&!a.propertyIsEnumerable("splice"))return"array"; In its near-perfunctoriness, 10,000 Days takes this progression a step further, to the point where entire passages can be traced directly to past branches on the Tool family tree. As usual, the longer songs have their bad moments and good moments, but overall, are pretty good considering. } ");var f=l;d[0]in f||"undefined"==typeof f.execScript||f.execScript("var "+d[0]);for(;d.length&&(c=d.shift());)d.length?f[c]&&f[c]!==Object.prototype[c]?f=f[c]:f=f[c]={}:f[c]=null;c=Math.abs(b-e);c=1728E5>c?0:c}else c=-1;0!=c&&(W(a.b,"internal_api_sb"),Z(a,Q(a.a,6)))},function(c){Z(a,c?Q(a.a,4):Q(a.a,5))})},Z=function(a,b){a.c||(a.c=!0,a=new l.XMLHttpRequest,a.open("GET",b,!0),a.send())};(function(a,b){l[a]=function(c){for(var d=[],e=0;e>4;t=(t&15)<<2|h>>6;h&=63;f||(h=64,e||(t=64));c.push(b[k],b[n],b[t]||"",b[h]||"")}return c.join("")};try{return JSON.stringify(this.a&&this.a,S)}finally{Uint8Array.prototype.toJSON=a}}:function(){return JSON.stringify(this.a&&this.a,S)};var S=function(a,b){return"number"!==typeof b||!isNaN(b)&&Infinity!==b&&-Infinity!==b?b:String(b)};M.prototype.toString=function(){return this.a.toString()};var T=function(a){O(this,a)};u(T,M);var U=function(a){O(this,a)};u(U,M);var ja=function(a,b){this.c=new B(a);var c=R(b,T,5);c=new y(w,Q(c,4)||"");this.b=new ea(a,c,Q(b,4));this.a=b},ka=function(a,b,c,d){b=new T(b?JSON.parse(b):null);b=new y(w,Q(b,4)||"");C(a.c,b,3,!1,c,function(){ia(function(){F(a.b);d(!1)},function(){d(!0)},Q(a.a,2),Q(a.a,3),Q(a.a,1))})};var la=function(a,b){V(a,"internal_api_load_with_sb",function(c,d,e){ka(b,c,d,e)});V(a,"internal_api_sb",function(){F(b.b)})},V=function(a,b,c){a=l.btoa(a+b);v(a,c)},W=function(a,b,c){for(var d=[],e=2;e I love that fucking album, through and through. Instead I find myself in the awkward position of trying to sell you on the merits of a deeply uncool band by telling you to go buy their last album instead. } $(document).ready(function() { Good overall obvious bootleg copy, but could … 'use strict';var g=function(a){var b=0;return function(){return b